No close-up of woman in agony
Black-haired character
"Help me"
non-diegetic sound
on floor, piano sequence
two shot signifies link
same take, but music says we
not a master shot because it's not full room
editing bringing it strongly across.
Ding-Dong
voyeurism
Male Gaze
competing, conflicting signifiers
counter-hegemonic
heavy make-up, blush. wearing pink lipstick, not bright red.
Authority figure.
gender, sense of action.
rhythm of editing
denoting the violence, physically shoved away
tight space, could shoot infront of the glass
both are now in the cage
reinforce drama, tension
cutaway shot of close-up of hands reaching down, when you insert a clip in a flow
180° degree rule
counter normative, man waiting at home and
verisimilitude of opening door
intertextuality, Silence of the lambs
preferred reading
sounds of chello
why is it a tracking shot?
music tells you what the producers are thinking
slow, sad
no jump cut, jump cut is non-linear, its ellipsis
no shot reverse shot
Black-haired character
"Help me"
non-diegetic sound
on floor, piano sequence
two shot signifies link
same take, but music says we
not a master shot because it's not full room
editing bringing it strongly across.
Ding-Dong
voyeurism
Male Gaze
competing, conflicting signifiers
counter-hegemonic
heavy make-up, blush. wearing pink lipstick, not bright red.
Authority figure.
gender, sense of action.
rhythm of editing
denoting the violence, physically shoved away
tight space, could shoot infront of the glass
both are now in the cage
reinforce drama, tension
cutaway shot of close-up of hands reaching down, when you insert a clip in a flow
180° degree rule
counter normative, man waiting at home and
verisimilitude of opening door
intertextuality, Silence of the lambs
preferred reading
sounds of chello
why is it a tracking shot?
music tells you what the producers are thinking
slow, sad
no jump cut, jump cut is non-linear, its ellipsis
no shot reverse shot
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